[00:41.31] It's one hazy panoply
[00:43.17] Recount this halcyon age
[00:45.83] I turn to Anthony
[00:48.23] When he turned to Karleinz and Cage
[00:50.89] But no one's really there
[00:53.55] Does that mean it's done in vain?
[00:56.20] If no one really cares
[00:58.86] I'm back to acting strange
[01:01.25] Like Daniel Johnston in Texas
[01:04.44] At some point in the '80s
[01:06.83] Passing out his cassettes with
[01:09.49] The j-card that he drew, oh, did he ever expect it?
[01:14.80] I guess it's just what happens
[01:17.46] When the music's a respite
[01:19.84] The world is so appalling
[01:22.50] And you come to detest it
[01:25.95] And you could say that I was nervous then
[01:29.68] Fairly awkward now
[01:32.33] Leave the speakers loud
[01:34.99] When you feel self-doubt
[01:37.66] If there's any chance
[01:40.05] That we'd still hang out
[01:42.70] We could detail dreams
[01:45.10] While we stare at passing clouds
[02:08.49] Those modal masterworks
[02:10.61] Atonal oeuvres it seems
[02:13.26] When I ask afterwards
[02:15.92] All message lost in between
[02:18.58] The shifting aperture
[02:21.23] Depicting sun-soaked scenes
[02:23.64] I guess they resonate
[02:26.30] That's universal consciousness
[02:29.75] Take two of ascension
[02:31.88] The Shape of Jazz to Come and Laurie Spiegal's inventions
[02:35.33] O'Rourke or Zorn and Oliveros all deserve mention
[02:42.51] You're dancing in a room and no one's paying attention
[02:47.55] Addressing my reception with a focused eye
[02:51.27] To the passing clouds
[02:54.98] I'll be there for you
[02:57.38] When you're feeling down
[03:00.04] Any given day
[03:02.69] You can find me 'round
[03:05.34] In a despondent way
[03:08.01] In a study best called brown
